Dimitri From Paris Interview Ahead of Slide @ Brixton Clubhouse

The suavest DJ around, Disco spinning Dimitri from Paris plays a very special one off and intimate gig at Brixton Clubhouse for Slide on November 12th.

As the French Ambassador of stylish club sounds, Dimitri from Paris (actually born in Turkey) is everything his nation could be proud of. 

He's a DJ, producer and remixer of the highest standard who has released on labels like BBE, Ministry of Sound and Hed Kandi spinning everything from the likes of disco to 80s sounds to dance classics.  

First off – why Dimitri from Paris not Dimitri from Istanbul?

Although I was born in Istanbul, I was raised in Paris.

Was there something about the French house scene which really got you excited in the early days?

It was exciting that other countries thought our music was interesting when our own didn't care.

What most excites you musically nowadays?

The fact that anyone can do music at home on a basic computer is quite a revolution. It is exciting but also it makes it harder to select the better stuff from the mass of mediocrity.

Have you always had the same goals when producing throughout your career? Or have your own goals shifted?

Not really, I'm always trying to do my best and do something that makes sense first on a listening level. I won't compromise to a trend to make it work in a club.

Do you think there is a place for socio-political awareness or commentary in house music? Or should it just be about having fun?

I think things should be enjoyed for what they are; dance music is to make you dance. This said there's room for quality and craftsmanship as long as it's not getting in the way of the primary goal.

Have you any regrets from over the years?

I sometimes refused remixing big name artists or playing high profile festivals because it didn't make sense artistically. I realise now it made sense on a marketing level in an industry that has become 90% marketing.

What should someone expect from one of your sets?

Lots of variations of Disco.

How do you like playing smaller venues vs large festivals – do you have a preference?

I don't think DJs were ever meant to play in large festivals, that's a promoter's scheme to place one single guy playing records in a huge stage. In any case I prefer playing in a venue, it’s acoustically more suited to play recorded music, and the proximity with the crowd allows for better musical choices.

How important is it to connect with people when you’re DJing – or are you more in your own world when you play?

I connect in trying to figure how to conduct the best program for the audience to have a good time. I don't see the point of playing records to myself and a bunch of mates. That can be done at home.

How often to do you refresh your record bag and when do you go looking for new music?

Pretty much every week, and before a gig.

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