Although only in his 20s, Jerron “Blind Boy” Paxton has earned a reputation for transporting audiences back to the 1920’s and making them wish they could stay there for good. Paxton may be one of the greatest multi-instrumentalists that you have not heard of. Yet. And time is getting short, fast.
Paxton performed to a sold out audience for the Lead Belly Tribute at Carnegie Hall on February 4, 2016 along with the likes of Buddy Guy, Eric Burdon, Dom Flemons, Tom Paley, and other stars. It is no exaggeration to say that Paxton impressed.
Jerron “Blind Boy” Paxton has been nominated for an inaugural International Folk Music Award in the category of Artist of the Year. The winners will be revealed at the Folk Alliance International Awards Gala at 6pm on Feb 17th, 2016 at the Westin Crown Center in Kansas City, MO.
Paxton will also headline the 2016 Brooklyn Folk Festival the weekend of April 8th.
This young musician sings and plays banjo, guitar, piano, fiddle, harmonica, Cajun accordion, and the bones (percussion). Paxton has an eerie ability to transform traditional jazz, blues, folk, and country into the here and now, and make it real. In addition, he mesmerizes audiences with his humor and storytelling.
He’s a world class talent and a uniquely colorful character who has been on the cover of Living Blues Magazine and the Village Voice, and has been interviewed on FOX News. Paxton’s sound is influenced by the likes of Fats Waller and “Blind” Lemon Jefferson. According to Will Friedwald in the Wall Street Journal, Paxton is “virtually the only music-maker of his generation—playing guitar, banjo, piano and violin, among other implements—to fully assimilate the blues idiom of the 1920s and ‘30s.”
"He is the whole package. He’s witty, fast rhyming, poetic, fun, exciting, wonderfully skilled as a musician and a fine singer, he is the continuation of a proud tradition, literally and figuratively" - Oregon Food Bank’s Waterfront Blues Festival
"Bllind Boy Paxton, the world's greatest kosher blues singer!" - Wall Street Journal
Although only in his 20s, Jerron “Blind Boy” Paxton has earned a reputation for transporting audiences back to the 1920’s and making them wish they could stay there for good. Paxton may be one of the greatest multi-instrumentalists that you have not heard of. Yet. And time is getting short, fast.
Paxton performed to a sold out audience for the Lead Belly Tribute at Carnegie Hall on February 4, 2016 along with the likes of Buddy Guy, Eric Burdon, Dom Flemons, Tom Paley, and other stars. It is no exaggeration to say that Paxton impressed.
Jerron “Blind Boy” Paxton has been nominated for an inaugural International Folk Music Award in the category of Artist of the Year. The winners will be revealed at the Folk Alliance International Awards Gala at 6pm on Feb 17th, 2016 at the Westin Crown Center in Kansas City, MO.
Paxton will also headline the 2016 Brooklyn Folk Festival the weekend of April 8th.
This young musician sings and plays banjo, guitar, piano, fiddle, harmonica, Cajun accordion, and the bones (percussion). Paxton has an eerie ability to transform traditional jazz, blues, folk, and country into the here and now, and make it real. In addition, he mesmerizes audiences with his humor and storytelling.
He’s a world class talent and a uniquely colorful character who has been on the cover of Living Blues Magazine and the Village Voice, and has been interviewed on FOX News. Paxton’s sound is influenced by the likes of Fats Waller and “Blind” Lemon Jefferson. According to Will Friedwald in the Wall Street Journal, Paxton is “virtually the only music-maker of his generation—playing guitar, banjo, piano and violin, among other implements—to fully assimilate the blues idiom of the 1920s and ‘30s.”
"He is the whole package. He’s witty, fast rhyming, poetic, fun, exciting, wonderfully skilled as a musician and a fine singer, he is the continuation of a proud tradition, literally and figuratively" - Oregon Food Bank’s Waterfront Blues Festival
"Bllind Boy Paxton, the world's greatest kosher blues singer!" - Wall Street Journal