“Toronto’s Annie, Drama’s Daphne and Southampton’s Scott collectively make CLT DRP, the unknowing rebuttal to rehashed punk, fucked social notions and modern, illiberal backlash.
A chance pairing of perspectives in a haven for nurtured ideas that’s Brighton, lends CLT DRP the right to scream freely since 2017.
Somewhere between EDM inspired electro-punk and quasi-satirical female pop; their sound and message resonates beyond expectation wherever they are and were told by Margaret Atwood after their first show, “Don’t let the bastards grind you down.” - Milo Dunn-Clarke
“Toronto’s Annie, Drama’s Daphne and Southampton’s Scott collectively make CLT DRP, the unknowing rebuttal to rehashed punk, fucked social notions and modern, illiberal backlash.
A chance pairing of perspectives in a haven for nurtured ideas that’s Brighton, lends CLT DRP the right to scream freely since 2017.
Somewhere between EDM inspired electro-punk and quasi-satirical female pop; their sound and message resonates beyond expectation wherever they are and were told by Margaret Atwood after their first show, “Don’t let the bastards grind you down.” - Milo Dunn-Clarke