John has been exploring electronic sound for nearly 50 years. His first encounter was with an early valve version of a Watkins Electronic Music Copicat, a violin with a guitar pick up and an effects pedal. Later, whilst at music college he was able to access synthesisers the size of old telephone switchboards and reel to reel tape recorders with 10 yard tape loops around jam jars. Following many years of composing, performing, and recording as a jazz saxophonist, clarinettist in various orchestras, John now spends much of his time with modular synthesisers. He has composed music for film, radiophonic broadcasts, and theatre productions and was commissioned to produce the ‘Terra Nova’ suite celebrating the centenary of Scott’s expedition and first performed at The Scott Polar Research Institute in Cambridge. He plays a wide range of styles from keyboard-based synthesiser music to purely modular forms and ‘found sounds’.
John has been exploring electronic sound for nearly 50 years. His first encounter was with an early valve version of a Watkins Electronic Music Copicat, a violin with a guitar pick up and an effects pedal. Later, whilst at music college he was able to access synthesisers the size of old telephone switchboards and reel to reel tape recorders with 10 yard tape loops around jam jars. Following many years of composing, performing, and recording as a jazz saxophonist, clarinettist in various orchestras, John now spends much of his time with modular synthesisers. He has composed music for film, radiophonic broadcasts, and theatre productions and was commissioned to produce the ‘Terra Nova’ suite celebrating the centenary of Scott’s expedition and first performed at The Scott Polar Research Institute in Cambridge. He plays a wide range of styles from keyboard-based synthesiser music to purely modular forms and ‘found sounds’.