Laura is very much a product of being born in the early 1990s. From waking up to the sounds of Bob Marley or fellow Scot Paolo Nutini, a slice of Chance the Rapper to soundtrack the daily commute to going to bed with the warm thuds of Nicolas Jaar or minimal maestro Zip echoing through her ears, Laura’s music is a testament to the diversity of her tastes.
Seeing the soul seep from the rhythmical patterns of electronic music, a trait she attests a lot to the music of Larry Levan, means that the majority of her lyrics are conjured up while clubbing. Venues such as the Red Box in Ibiza’s legendary Space club and London’s own Village Underground have provided unlikely locations for many of Laura’s most productive writing sessions (preferably with a pen on a napkin though - her phone screen is often smashed due to, let’s say, an ‘over-enthusiasm’ for the music).
Laura is very much a product of being born in the early 1990s. From waking up to the sounds of Bob Marley or fellow Scot Paolo Nutini, a slice of Chance the Rapper to soundtrack the daily commute to going to bed with the warm thuds of Nicolas Jaar or minimal maestro Zip echoing through her ears, Laura’s music is a testament to the diversity of her tastes.
Seeing the soul seep from the rhythmical patterns of electronic music, a trait she attests a lot to the music of Larry Levan, means that the majority of her lyrics are conjured up while clubbing. Venues such as the Red Box in Ibiza’s legendary Space club and London’s own Village Underground have provided unlikely locations for many of Laura’s most productive writing sessions (preferably with a pen on a napkin though - her phone screen is often smashed due to, let’s say, an ‘over-enthusiasm’ for the music).