British bass-baritone Ossian Huskinson is a recent graduate of the Royal Academy of Music, where he was one of the esteemed Bicentenary Scholars, studying there for four years with Mark Wildman and Iain Ledingham. He is also the 1st prize winner - as well as recipient of the audience prize - for the Clonter Opera Competition 2021, and one of the final round participants for the Neue-Stimmen competition 2022.
At the Academy, Ossian was one of the soloists for the Kohn Foundation Bach Cantata series, in addition to being a member of the Academy Song Circle. Ossian made his principal debut with Royal Academy Opera performing the role of King René in the Royal Academy Opera’s Spring 2019 production of Tchaikovsky’s Iolanta in a performance which was described as “resonant and richly musical”. Other roles at the Academy include Sarastro in Mozart’s Die Zauberflöte, Le Philosophe in Massenet’s Chérubin, and Bottom in a socially distanced production of Britten’s A Midsummer Night’s Dream.
British bass-baritone Ossian Huskinson is a recent graduate of the Royal Academy of Music, where he was one of the esteemed Bicentenary Scholars, studying there for four years with Mark Wildman and Iain Ledingham. He is also the 1st prize winner - as well as recipient of the audience prize - for the Clonter Opera Competition 2021, and one of the final round participants for the Neue-Stimmen competition 2022.
At the Academy, Ossian was one of the soloists for the Kohn Foundation Bach Cantata series, in addition to being a member of the Academy Song Circle. Ossian made his principal debut with Royal Academy Opera performing the role of King René in the Royal Academy Opera’s Spring 2019 production of Tchaikovsky’s Iolanta in a performance which was described as “resonant and richly musical”. Other roles at the Academy include Sarastro in Mozart’s Die Zauberflöte, Le Philosophe in Massenet’s Chérubin, and Bottom in a socially distanced production of Britten’s A Midsummer Night’s Dream.