The Subdermic began writing music from childhood, using a cheap keyboard sampler & multi-track tape machine to create, overlay & record simple hypnotic loops, drawing her early influences from the New Romantic & new Wave era alongside genres such as Blues, funk, Jazz, Prog-rock, ambient & psychedelia through into her teenage years were the early Acid house scene inspired her & subsequently she discovered for herself the genre of Techno which captivated her attention profoundly & prompted her to begin a serious collection of studio equipment to begin honing her own sound.

The production sound of The Subdermic is infectious, consistently strives to produce fresh & innovative electronic music & always remain forward thinking in her style, drawing influence from many different Artists from across the vast span of the electronic music Genre & around the globe such as Tangerine Dream, Kraftwerk, DAF, Cabaret Voltaire, OMD, Duran Duran, Depeche Mode, LFO, N-joi, 808 State, The Prodigy, Mundo Musique, Jeff Mills, Cari Lekebusch, Ritchie Hawtin, Dave Clarke, Surgeon, Headroom, Claude Young to name just a few.

Her First 12" record release in 2001 on UCMG London/GmbH label & distribution company, the sell-out release entitled 'Nymph EP', followed up in 2002 on energy industries 12" called 'The Breakers of Grimsby'.

Her First live PA’s were performed at Democracy, Cleethorpes then crowds of 2000 alongside Paul Oakenfold at the Birmingham Institute, Pure Techno in Hull, SECT in Leeds & a residency with Motherchip Connexxion in Cambridge.

​The music of The Subdermic has appeared on BBC Radio 1 with John Peel presenting Nymph EP as well as many online radio shows such as the Luminary Whitenoise show hosted by DJ Dave Clarke, other shows include Detroit Warmth 313 with Aaron-Carl, The Public Stand, Wired up Radio, NTS London with SIREN, Report2Dancefloor Radio & many more.

The Subdermic Started the Techno label Subdermic in 2008 & self-released 4 EPs.

Her 2010 track ‘Electric Cabaret’ was rated as Dave Clarke’s top track of 2010 & was released in 2011 with support also from the late Aaron Carl. The remix of the track also had support from non-other than the Godfather of the genre of techno himself; Juan Atkins of Detroit.

Her other label releases include Vegim’s ‘TMM’ ('Take More Music'), Bass Agenda recordings, AMU recordings & MER of Switzerland.

​Following a sabbatical The Subdermic returned in 2015 Self-released debut LP available only on Bandcamp - 'What the Eyes Truly See', followed up by 'Joyride' on Bass Agenda in 2016, which saw a diversity of style & was well regarded in the Electro community.

​As if fate had a hand in this release coming to Bass Agenda Recordings. The Subdermic was also featured on Dave Clarke’s White Noise 500 compilation, celebrating 500 episodes of the well-known show, which was released by The Public Stand techno label based in Rotterdam.

​2016 was her most notable EP & 9th release, 'Scaring Horses' , a five track techno EP which received considerable support from industry names such as Dave Clarke, Claude Young, Thomas P. Heckmann, Ade Fenton & Oliver Bondzio to name a few.

​2017 saw an exciting remix Project with Miss Electric & her MER techno label, with a remix of Energuns 'Circular Turnround', alongside prollifient techno figures such as Ade Fenton & an exciting 303 fuelled release on the mighty Balkan Vinyl acid house imprint.

2018 Brought her first soundtrack LP, entitled ‘Morphology’, on the seminal Opal Tapes imprint & two acid releases for Acidworx of Australia.