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Evita
THE TRUTH IS I NEVER LEFT YOU
TIM RICE and ANDREW LLOYD WEBBER‘s legendary EVITA returns to the West End, reimagined by the visionary award-winning director JAMIE LLOYD.
Starring Golden Globe winner RACHEL ZEGLER (Disney’s Snow White, West Side Story, The Hunger Games: The Ballad of Songbirds & Snakes) in the iconic role of Eva Perón.
Featuring a legendary score including Don’t Cry For Me Argentina, Oh What A Circus, Another Suitcase in Another Hall, and the Oscar-winning You Must Love Me, EVITA is produced by Michael Harrison for Lloyd Webber Harrison Musicals and Jamie Lloyd for The Jamie Lloyd Company.
Fuelled by ambition and passion, Eva Perón rose from poverty to become the most powerful woman in Latin America. A symbol of hope to many Argentines, her star shone brightly as she captured the nation’s heart and divided its soul.
EVITA arrives at The London Palladium for 12 weeks only from 14 June 2025.
For more information on accessibility, please visit here.
Please note that the role of Eva Perón will not be played by Rachel Zegler at the following performances:
Monday 14th July 2025
Monday 28th July 2025
Monday 11th August 2025
Monday 25th August 2025
No exchanges or refunds
RACHEL ZEGLER STARS IN LLOYD WEBBER HARRISON MUSICALS AND THE JAMIE LLOYD COMPANY’S
PRODUCTION OF TIM RICE AND ANDREW LLOYD WEBBER’S EVITA.
Rachel Zegler plays Eva Perón
Theatre credits include: Romeo + Juliet (Circle in the Square Theatre, Broadway).
Film credits include: Spellbound, Y2K, The Hunger Games: The Ballad of Songbirds and Snakes
(People's Choice Award for Action Movie Star of the Year); Shazam! Fury of The Gods and West Side
Story (NBR Award for Best Actress; Golden Globe Award for Best Actress in a Comedy or Musical).
Forthcoming projects include: Snow White (Disney).
Tim Rice
Tim Rice has worked in music, theatre and films since 1965 when he met Andrew Lloyd Webber, a
fellow struggling songwriter. Rather than pursue Tim’s ambitions to write rock or pop songs they
turned their attention to Andrew’s obsession – musical theatre. Their first collaboration, The Likes Of
Us, did not set the musicals world alight, but their next three works together did – Joseph and the
Amazing Technicolor Dreamcoat, Jesus Christ Superstar and Evita.
Tim has since worked with other distinguished composers such as Elton John (The Lion King, Aida),
Alan Menken (Aladdin, King David, Beauty and the Beast), Bjorn Ulvaeus and Benny Andersson
(Chess), and Stuart Brayson (From Here To Eternity). He has also written with Freddie Mercury, Burt
Bacharach, Graham Gouldman, Gary Barlow and Rick Wakeman among others. Many of his musicals
continue to play around the world in a huge variety of productions, big and small.
In 2024 Tim toured England (22 towns/cities) to present an evening of his songs, mercifully
performed by top singers and musicians rather than by him, to which he added reminiscence and
comment, recalling their creation, success (or rejection) and the joy (usually) of working with great
composers. The show, entitled My Life In Musicals, did so well that it is to be repeated in 2025, this
time taking in Wales, Scotland and Ireland too.
Sir Tim’s interests beyond music, film and theatre include cricket and he founded his own team in
1973. Heartaches CC has now played over 750 matches and been on playing tours to the USA,
Russia, France, Estonia, Hungary, Germany and South Africa. He was President of the world’s most
famous cricket club, MCC, in 2002.
He has recently recorded a series of talks for BBC Maestro on Writing and Performing in Musical
Theatre. He writes and presents a podcast (entitled Get Onto My Cloud) about his sixty-year career–
playing hits and flops, out-takes and number ones.
He dedicates considerable time to several British educational institutions and charities, many
connected with sport for disadvantaged children. He is a patron of the Bob Willis Fund (along with
Bob Dylan!), an enterprise inspired by the late great English cricketer, dedicated to raise prostate
cancer awareness.
He crops up here and there in all branches of the media drawing on his extensive knowledge of the
history of popular music. He has won several awards, mainly for the wrong thing or for simply
turning up, but since you ask: 1 Emmy, 5 Grammys, 3 Tonys and 3 Oscars, making him an EGOT. His
shows have spent more weeks on Broadway than those of any other British lyricist. He was knighted
by Her Late Majesty the Queen in 1994. Despite hints, he is not retiring just yet.
Andrew Lloyd Webber
Andrew Lloyd Webber has composed the scores of some of the world’s most famous musicals. Lloyd
Webber has had shows running across the world for decades, including continually in London’s West
End for 50 years.
When Sunset Boulevard joined School of Rock, CATS, and The Phantom of the Opera he equalled
Rodgers & Hammerstein’s record of four shows running simultaneously on Broadway. He is one of
the select group of artists with EGOT status, having received Emmy, Grammy, Oscar, and Tony
Awards.
Lloyd Webber owns six London theatres including the iconic London Palladium and Theatre Royal,
Drury Lane. Reopened in July 2021, the latter was completely restored and renovated at a cost of
over £60 million. It was one of the biggest projects ever undertaken by a private theatre owner in
recent times. His mantra is that every penny of profit made from his theatres is ploughed back into
the buildings.
Lloyd Webber is passionate about the importance of musical education and diversity in the arts. The
Andrew Lloyd Webber Foundation provides 30 performing arts scholarships every year for talented
students with financial need and supports a range of projects such as the Music In Secondary School
Trust and commissioning research into diversity in theatre.
Andrew Lloyd Webber has composed music for globally significant moments, including Olympic
ceremonies and World Cup celebrations. He has been asked to compose for many royal occasions,
the most recent being “Make a Joyful Noise”, an Anthem for the Coronation of King Charles III.
Andrew Lloyd Webber was knighted in 1992, created an honorary life peer in 1997, and made a
Knight Companion of the Most Noble Order of the Garter by King Charles III in 2024.
Jamie Lloyd directs. His credits for The Jamie Lloyd Company include Much Ado About Nothing and
The Tempest (Theatre Royal Drury Lane), Romeo & Juliet (Duke of York’s Theatre), Sunset Blvd. (St.
James Theatre, New York/Savoy Theatre – winner of seven Olivier Awards including Best Director
and Best Musical Revival; Evening Standard Theatre Award for Best Director), The Effect (National
Theatre/The Shed, New York), A Doll’s House (Hudson Theatre, New York – nominated for six 2023
Tony Awards including Best Direction of a Play and Best Revival of a Play), The Seagull (Harold Pinter
Theatre), Cyrano de Bergerac (Playhouse Theatre/Harold Pinter Theatre/Brooklyn Academy of
Music, New York – Olivier Award for Best Revival; Critics’ Circle Theatre Award for Best Director),
Betrayal (Harold Pinter Theatre/Bernard B. Jacobs Theatre – nominated for four 2021 Tony Awards
including Best Direction of a Play and Best Revival of a Play; Critics’ Circle Theatre Award for Best
Director), Pinter at the Pinter (Harold Pinter Theatre), The Maids, The Homecoming, The Ruling
Class, Richard III, The Pride, The Hothouse and Macbeth (Trafalgar Studios)
Suitable for 12 years and above
Children under the age of 4 will not be admitted into the theatre.
Anyone aged 15 or under must be accompanied by an adult (18+) and may not sit on their own within the auditorium. All persons entering the theatre, regardless of age, must have a valid ticket.
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